Overview

Wilding Cran Gallery is pleased to present When I Can No Longer Fall In Love For The First Time, an exhibition of new work by Canadian artist Martin Bennett. On view November 19 through January 7, this project-based series of paintings offers a glimpse into Bennett’s collected insights of his family history and an exploration within the human tradition of doubt.

 

The exhibition delves into the inherited story of his great grandmother Nellie Taylor’s last words-- in lieu of Bennett’s great grandfather she had cried out for Augustus John, the celebrated British painter of the early 1900s. Nellie’s final words imparted a deep uncertainty about her daughter’s true father. Since she had worked as a housekeeper and cook for the painter William Holman-Hunt, it was likely that she would have crossed paths with Augustus John. This exhibition features snapshots from Bennett’s travels to August John’s home in Hampstead, England. With each new trip came an opportunity to view scenes wherein his own ancestry became perplexed.

 

The paintings are the products of photographs taken by Bennett on his travels, each work acts as a link to the greater story. The works are born of two dates, one marking the painting’s completion and the other noting its photographic counterpart; an homage to process and inception. Each painting is further removed from the original date of the photograph as Bennett sands their surfaces, ensuring an image both resolutely familiar while also distant in its final form. He is the mediator, both as artist’s hand and willful spectator to a developing onslaught of clues.

 

Aesthetically, two unifying elements bind the works - firstly their black and white palette, and secondly Bennett’s finishing process of electrically sanding the surface of the painting to give the works a distinct, stripped back texture. He is the mechanism both producing and skewing the image. The black and white paintings are together a history for Bennett, memorializing the faint certainties of a developing case.

Installation Views
Works
  • Martin Bennett, Variant Flash Painting - When I Can No Longer Fall In Love For The First Time, 2016
    Martin Bennett
    Variant Flash Painting - When I Can No Longer Fall In Love For The First Time, 2016
    Oil and acrylic on canvas
    64 x 48 inches
    162.6 x 121.9 cm.
  • Martin Bennett, Variant Flash Painting - The Push And Pull Of Unrequited Love, 2016
    Martin Bennett
    Variant Flash Painting - The Push And Pull Of Unrequited Love, 2016
    Oil and acrylic on canvas
    64 x 48 inches
    162.6 x 121.9 cm.
  • Martin Bennett, Static Image Painting/Grey/Wildflower/Wildwood Road/Hampstead/London/Walking Back From Heathwood/Two, 2016/2015
    Martin Bennett
    Static Image Painting/Grey/Wildflower/Wildwood Road/Hampstead/London/Walking Back From Heathwood/Two, 2016/2015
    Oil and acrylic on canvas
    24 x 36 inches
    61 x 91.4 cm.
  • Martin Bennett, Static Image Painting/Grey/Wildflower/Wildwood Road/Hampstead/London/Walking Back From Heathwood/One, 2016/2015
    Martin Bennett
    Static Image Painting/Grey/Wildflower/Wildwood Road/Hampstead/London/Walking Back From Heathwood/One, 2016/2015
    Oil and acrylic on canvas
    24 x 36 inches
    61 x 91.4 cm.
  • Martin Bennett, Static Image Painting/Grey/Wildflower/Wildwood Road/Hampstead/London/Walking Back From Heathwood/Three, 2016/2015
    Martin Bennett
    Static Image Painting/Grey/Wildflower/Wildwood Road/Hampstead/London/Walking Back From Heathwood/Three, 2016/2015
    Oil and acrylic on canvas
    24 x 36 inches
    61 x 91.4 cm.
  • Martin Bennett, Grey Volume Painting - Always Hurting The One I Love, 2016
    Martin Bennett
    Grey Volume Painting - Always Hurting The One I Love, 2016
    Oil and acrylic on canvas
    64 x 48 inches
    162.6 x 121.9 cm.
  • Martin Bennett, Static Image Painting/Grey/Grandmother/Beryl/Taylor/Oppitz/Glasgow/Four Or Five Years Old, 2016/1992
    Martin Bennett
    Static Image Painting/Grey/Grandmother/Beryl/Taylor/Oppitz/Glasgow/Four Or Five Years Old, 2016/1992
    Oil and acrylic on canvas
    36 x 24 inches
    91.4 x 61 cm.
  • Martin Bennett, Static Image Painting/Grey/38/Grove Avenue/ Hanwell/London/This Is The House Where Nellie Taylor Gave Birth To Beryl Taylor/1921, 2016/2016
    Martin Bennett
    Static Image Painting/Grey/38/Grove Avenue/ Hanwell/London/This Is The House Where Nellie Taylor Gave Birth To Beryl Taylor/1921, 2016/2016
    Oil and acrylic on canvas
    20 x 16 inches
    50.8 x 40.6 cm.
  • Martin Bennett, Static Image Painting/Grey/Title For A Painting I Couldn't Make/Written In Pencil/Torn Paper/ Studio Wall/Three, 2016/2016
    Martin Bennett
    Static Image Painting/Grey/Title For A Painting I Couldn't Make/Written In Pencil/Torn Paper/ Studio Wall/Three, 2016/2016
    Oil and acrylic on canvas
    16 x 20 inches
    40.6 x 50.8 cm.
  • Martin Bennett, Static Image Painting/Grey/Title For A Painting I Couldn't Make/Written In Pencil/Torn Paper/Studio Wall/Two, 2016/2016
    Martin Bennett
    Static Image Painting/Grey/Title For A Painting I Couldn't Make/Written In Pencil/Torn Paper/Studio Wall/Two, 2016/2016
    Oil and acrylic on canvas
    16 x 20 inches
    40.6 x 50.8 cm.
  • Martin Bennett, Static Image Painting/Grey/Title For A Painting I Couldn't Make/Written In Pencil/Torn Paper/Studio Wall/One, 2016/2016
    Martin Bennett
    Static Image Painting/Grey/Title For A Painting I Couldn't Make/Written In Pencil/Torn Paper/Studio Wall/One, 2016/2016
    Oil and acrylic on canvas
    16 x 20 inches
    40.6 x 50.8 cm.
  • Martin Bennett, Grey Volume Painting - Always Hurting The One I Love, 2016
    Martin Bennett
    Grey Volume Painting - Always Hurting The One I Love, 2016
    Oil and acrylic on canvas
    40 x 30 inches
    101.6 x 76.2 cm.
  • Martin Bennett, Variant Flash Painting - A Person Walks Down Some Steps, An Introduction Is Made, 2016
    Martin Bennett
    Variant Flash Painting - A Person Walks Down Some Steps, An Introduction Is Made, 2016
    Oil and acrylic on canvas
    40 x 30 inches
    101.6 x 76.2 cm.