Jeremy Everett: The Good Part
Wilding Cran Gallery is pleased to present The Good Part, a mixed-media installation by Jeremy Everett. Acting as interventions, the various works on view offer notions of tension, movement, resistance, and corruption.
The title of show comes from the sculpture that is comprised of two generic folding chairs positioned face-to-face, leaning into each other to create a V-shape with the seats of the chairs. He places a mound of bright orange pigment in the V-shaped space between the chairs, the weight of the pigment balances the objects. The delicate position of the chairs and pigment offers a heightened sense of fragility surrounding the object as contact with the piece could potentially unbalance the scale.
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Jeremy EverettFlare/Black, 2016Smoke pigment on canvas75 x 87 inches
190.5 x 221 cm. -
Jeremy EverettLight Box Exposure, 2017Photo emulsion exposed to light of commercial light box72 x 48 inches
182.9 x 121.9 cm. -
Jeremy EverettShim, 2018Paint on fabric, supporting wall25 1/2 x 15 1/2 inches
64.8 x 39.4 cm. -
Jeremy EverettWedge, 2017Paint on foam13 1/2 x 10 1/2 inches
34.3 x 26.7 cm. -
Jeremy EverettJack, 2018Ceiling jack & stretched painted canvases94 x 215 x 72 inches
238.8 x 546.1 x 182.9 cm. -
Jeremy EverettThe Good Part, 2016Metal chair and pigment32 x 48 x 18 inches
81.3 x 121.9 x 45.7 cm. -
Jeremy EverettCorrupted Photograph 1Framed C-print photograph44 3/4 x 31 inches
113.7 x 78.7 cm. -
Jeremy EverettCorrupted Photograph 2, 2017Framed C-print photograph44 3/4 x 31 inches
113.7 x 78.7 cm. -
Jeremy EverettThis/Is/That No. 1, 2017Inkjet print on archival paper82 x 60 inches
208.3 x 152.4 cm.