Frieze No. 9 Cork Street, London UK: The Air Upon You
Wilding Cran Gallery is pleased to announce its participation at Frieze No. 9 Cork Street, with the exhibition of The Air Upon You, a selection of new works by Los Angeles-based artists, Michelle Blade, Mustafa Ali Clayton, Karon Davis, and February James.
As the keepers of our own stories, our bodies carry the air of our surroundings, our dreams and emotions, the passing of time, and the legacies of our ancestry. In a celebration of both the monumental and everyday moments that have the power to bring us pause, The Air Upon You sets out to explore the frameworks that form our individual perceptions of the identities we inhabit.
At the heart of the exhibition, Karon Davis's Lounging Nude No. 1 serves as a guiding point, setting the stage for works by Blade, Clayton, and James. Presenting her first ever nude installation, the artist nods to ancient techniques, molding in plaster to capture the physicality of a fleeting moment. Affixed with an extravagant hairstyle and accessories, Davis's figure reclines upon a decadent fainting couch. The tension between the rough-hewn plaster and the model's languid pose issues a magnetic air of luxurious confidence, commanding the attention of the viewer. She is the central goddess, the BOSS, as her earrings denote. Through her power and grace, she challenges us to decipher the narrative for ourselves.
Utilizing solely organic and sustainable materials, from clay and fiber, to wood and wax, Mustafa Ali Clayton grounds his work in the natural elements of the earth. Despite distinctions in approach, both Davis and Clayton present statuesque works that harness their artistic mediums to pay homage to the ancestry of material iconography. In contrast to Davis's textured nude figure, Clayton's larger-than-life ceramic heads are coated in a mirrored ebony glaze. Each sculpture sits atop a plinth, strikingly intimate and individual in countenance. There is a tender, timeless beauty to each subject, their inner strength shining through the delicate ceramic medium.
In a departure from the graceful countenance of each of Clayton's figures, February James strips away at the visage of her subjects, using watercolor, acrylic, oil pastel, and charcoal to create portraits that capture the pathos of that which is hidden within our interactions with one another. In this selection of paintings, James' attention to color draws the viewer through the eyes of her subjects, into their interior landscapes, their emotions, and their memories. Juxtaposed with the haunting nature of James's work, Michelle Blade embeds figures within her representations of the Southern California landscape, allowing the body and the natural world to bloom and bleed poetically across her signature poplin canvases. There is an inherent sense of eternity and passage to the rocks, the clouds, the stars, the weeping willow. The chance glimpse of a human figure fades in and out of the luminous, large-scale canvases, paling in comparison to the regenerative immortality of the natural world.
Whether communicating the truth of an image, a belief, a memory, or an environment, the works on view seek to capture the energy that is held within spaces of vulnerability. By bringing each artist's explorations of the figurative into dialogue with one another, The Air Upon You invites the viewer into a space charged with catharsis, compassion, and agency. Immersed in a palimpsest of past and present, the artists and their subjects serve as theatrical players, permeating the emotional terrain that lies between embodiment and transcendence.
Launched in October 2021, No.9 Cork Street is Frieze's first permanent exhibition space for international galleries in the historic heart of Mayfair, London. Selvi May Akyildiz is the Director of No.9 Cork Street. Designed by architecture studio Matheson Whiteley, No.9 Cork Street is housed across two converted townhouses and spread across three floors.
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Michelle BladeWith Your Name in My Mouth, 2022Acrylic and ink on Poplin74 x 62 inches 187.96 x 157.48 cm.
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Michelle BladeThe Great Slipping Glimpses, 2022Acrylic and ink on Poplin60 x 48 inches 152.40 x 121.92 cm.
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Michelle BladeIn the Willow, 2022Acrylic and ink on Poplin34 x 30 inches 86.36 x 76.2 cm
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Mustafa Ali ClaytonArmani, 2022Earthenware clay, beads, glaze22 x 22 x 21 inches
55.9 x 55.9 x 53.3 cm. -
Mustafa Ali ClaytonNoella, 2022Earthenware clay, beads, glaze15 3/4 x 11 x 13 inches
40 x 27.9 x 33 cm. -
Mustafa Ali ClaytonSofia, 2022Earthenware clay, beads, glaze15 x 10 x 11 1/2 inches
38.1 x 25.4 x 29.2 cm. -
Mustafa Ali ClaytonSam, 2022Earthenware clay, glaze19 x 16 x 16 inches
48.3 x 40.6 x 40.6 cm. -
Mustafa Ali ClaytonDevondia, 2022Earthenware clay, glaze17 x 12 x 13 inches
43.2 x 30.5 x 33 cm. -
Mustafa Ali ClaytonKarl, 2022Earthenware clay, glaze14 x 10 1/2 x 10 inches
35.6 x 26.7 x 25.4 cm. -
Mustafa Ali ClaytonZiondrea, 2022Earthenware clay, glaze17 x 18 x 12 inches
43.2 x 45.7 x 30.5 cm. -
Karon DavisLounging Nude No. 1, 2022Plaster bandages, plaster, chicken wire, glass eyes, steel, acrylic nails, nail polish, rhinestones, door knockers, antique fainting sofa56 x 87 x 31 inches
142.2 x 221 x 78.7 cm. -
February JamesYKWIM, 2022Charcoal, watercolor, ink, oil pastel on canvas60 x 50 inches
152.4 x 127 cm. -
February JamesYou do so much to be noticed...and I still don't see you, 2022Acrylic and ink on canvas24 x 18 inches
61 x 45.7 cm. -
February JamesThe Race For Pennies, 2022Acrylic and ink on canvas24 x 18 inches
61 x 45.7 cm. -
February JamesCelebrated or Tolerated, 2022Acrylic, ink, oil pastel on canvas70 x 30 inches
177.8 x 76.2 cm. -
February JamesWAS IT FUN?, 2022Watercolor on paper14 x 25 1/4 inches
35.6 x 64.1 cm. -
February JamesDo You Kiss Your Mother with That Mind?, 2022Watercolor on paper14 x 25 1/4 inches
35.6 x 64.1 cm. -
Herald NixUntitled Shuswap Lake, B.C. #13, June 9th, 2019Oil on birch panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #5, August 26th, 2018Oil on birch panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #12, August, 2019Oil on panel8½ x 10½ inches
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Herald NixUntitled Shuswap Lake, B.C. #30, March 22nd, 2019Oil on birch panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #7, September 25th, 2019Oil on birch panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #2, April 29th, 2019Oil on birch panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm.
14 1/2 x 16 1/2 inches (framed)
36.8 x 41.9 cm. -
Herald NixUntitled Shuswap Lake, B.C. #29, June, 2019Oil on birch panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #16, March 22, 2019Oil on panel8½ x 10½ inches 21.6 x 26.7 cm
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Herald NixUntitled Shuswap Lake, B.C. #23, September 18th, 2018Oil on panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #15, May, 2019Oil on panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #4, April 29th, 2019Oil on panel8½ x 10½ inches 21.59 x 26.67 cm.
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Herald NixUntitled Shuswap Lake, B.C. #21, April 30th, 2019Oil on panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #38, July, 2016Oil on panel8½ x 10½ inches 21.59 x 26.67 cm.
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Herald NixUntitled Shuswap Lake, B.C. #41, April, 2016Oil on panel8½ x 10½ inches 21.60 x 26.70 cm.
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Herald NixUntitled Shuswap Lake, B.C. #14, June, 2019Oil on panel8 1/2 x 10 1/2 inches
21.6 x 26.7 cm. -
Herald NixUntitled Shuswap Lake, B.C. #39, March 21st, 2019Oil on panel8½ x 10½ inches 21.6 x 26.7 cm
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Herald NixUntitled Shuswap Lake, B.C. #9, April 15th, 2019Oil on birch panel8½ x 10½ inches 21.60 x 26.70 cm.
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Herald NixUntitled Shuswap Lake, B.C. #31, March 22nd, 2019Oil on panel8½ x 10½ inches 21.60 x 26.70 cm.
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Martin WerthmannSilence 87, 2022Monotype woodblock print on paper41 x 61 inches
104.1 x 154.9 cm. -
Martin WerthmannSilence 76, 2021Monotype woodblock print on paper41 x 61 inches
104.1 x 154.9 cm. -
Martin WerthmannSilence 78, 2021Monotype woodblock print on paper41 x 61 inches
104.1 x 154.9 cm. -
Martin WerthmannSilence 68, 2021Monotype woodblock print on paper79 x 61 inches
200.7 x 154.9 cm. -
Martin WerthmannSilence 84, 2022Monotype woodblock print on paper51 x 79 inches
129.5 x 200.7 cm. -
Martin WerthmannUntitled No. 1, 2022Monotype woodblock print on paper60 1/2 x 79 inches
153.7 x 200.7 cm. -
Martin WerthmannUntitled No. 2, 2022Monotype woodblock print on paper60 1/2 x 79 inches
153.7 x 200.7 cm.