February James: A Place to Belong
Past exhibition
Overview
Wilding Cran Gallery is pleased to present A Place to Belong, a solo exhibition by February James.
For this exhibition James creates a domestic environment, a room in a home. The gallery is transformed into a work of art: The walls are painted a wash with visible brushstrokes, and are adorned with paper sculptures representing the objects and furniture within it, an environment for the characters in her portraits to inhabit. Finally, completing the narrative, James places her painted figures around these objects of domesticity.
For James this stage holds an autobiographical narrative, her paintings represent her own experiences and familial relationships, they speak to her and tell their stories. But the figures themselves are devoid of construct, they strive to capture the essence of a person rather than their physicality, so that we are invited to create our own characterisations, based on our own relationships. When experienced through this window of domesticity, the figures become even more personal to the viewer, the storytelling embroiled in our own subjectivity, leaving us to wonder how much of what we perceive is real, and how much is social construct.
James explores what factors influence identity formation: how truth is conditioned by the frameworks through which it is received; she asks the question, how much does the legacy of a family influence our everyday life, our vulnerabilities, our expectations, and explores the hidden emotions that exist between what we see and what we experience.
For this exhibition James creates a domestic environment, a room in a home. The gallery is transformed into a work of art: The walls are painted a wash with visible brushstrokes, and are adorned with paper sculptures representing the objects and furniture within it, an environment for the characters in her portraits to inhabit. Finally, completing the narrative, James places her painted figures around these objects of domesticity.
For James this stage holds an autobiographical narrative, her paintings represent her own experiences and familial relationships, they speak to her and tell their stories. But the figures themselves are devoid of construct, they strive to capture the essence of a person rather than their physicality, so that we are invited to create our own characterisations, based on our own relationships. When experienced through this window of domesticity, the figures become even more personal to the viewer, the storytelling embroiled in our own subjectivity, leaving us to wonder how much of what we perceive is real, and how much is social construct.
James explores what factors influence identity formation: how truth is conditioned by the frameworks through which it is received; she asks the question, how much does the legacy of a family influence our everyday life, our vulnerabilities, our expectations, and explores the hidden emotions that exist between what we see and what we experience.
Installation Views
Works
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February JamesHe Might be Home for Christmas, 2019watercolour and ink on paper30 x 22.5 in. 76 x 57 cm.
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February James2nd Guessing Yesterday, 2019watercolour and ink on paper60 x 22.5 in. 152.5 x 57 cm.
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February Jameswe will gather, 2019porcelain3 x 2 1/4 x 2 1/4 in.
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February JamesAnd then the Paradigm Shifts, 2019watercolour and ink on paper30 x 22.5 in. 76 x 57 cm.
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February JamesA kerosene island of our own myths, 2019porcelain3 1/2 x 3 x 2 1/2 in.
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February JamesWicker Wings Inside, 2019porcelain2 1/2 x 3 1 1/3 in.
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February JamesAnd You'll Keep FInding Yourself, 2019watercolour and ink on paper30 x 22.5 in. 76 x 57 cm.
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February JamesGive my Regards to Jessie, 2019watercolour and ink on paper45 x 30 in. 114.5 x 76 cm.
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February JamesThe time has come to empty every lung, 2019porcelain2 3/4 x 2 x 3 in.
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February JamesRubber Teeth, 2019porcelain3 1/2 x 2 1/4 x 2 1/4 in.
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February JamesI Hope You Know, I Told You so, 2018watercolour and ink on paper30 x 22.5 in. 76 x 57 cm.
Press