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Proximity

Past exhibition
12 June - 31 July 2021
  • Overview
  • Installation Views
  • Works
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Overview
Proximity

Marwa Abdul-Rahman, Vikky Alexander, Yevgeniya Baras, Louis Cameron, Justin Chance, Chris Cran, Todd Gray, Elliott Hundley, February James, Heather McGill, Jason McLean, Paul Pescador, Lindsay Preston Zappas, Jenny Rask, Paul Salveson, Fran Siegel, Evan Whale and John Zane Zappas

 

Wilding Cran Gallery is pleased to present Proximity, a group show about collage, re-contextualizing, and coming together. Co-curated by Lindsay Preston Zappas and Wilding Cran.

 

As we begin to move out of the pandemic, we are caught in a state of pulling our collective pieces back together, re-remembering how to operate as a society rather than as isolated individuals. In many ways, the practice of collage charts a similar terrain—within the logic of collage, one looks around to her immediate surroundings, not reinventing from scratch, but placing objects and images together with intention, creating a new and enlightened context. In this way, collage becomes an expansive term, one that celebrates a fluid and shifting ground as a means to explore new contexts and arrangements.

 

The artists in this show take up a wide variety of mediums—from textiles and sculpture to photography and work on paper. Some use collage in methodology more than practice; the simple abutting of two unexpected materials or the gesture of placing focused attention on objects that have been intentionally culled into proximity. Others opt for a maximal blending—pulling from their own internal lexicon of mark-making—stitching pattern, figure, and thread together into a singular plane. For many of the artists, flatness becomes a unifying strategy. By collapsing information, objects, frames, or patterns into a singular substrate, a certain merging takes place, re-situating an array of references into an altered field of vision.

 

Collage ultimately is a medium that creates connection from that which is already right in front of us; a poignant analogy as we begin to patchwork our communities back together. I’ve had many recent conversations about priorities and reassessing boundaries as things in our city begin to open back up. How might we move into our new reality while taking a clue from collage—being highly intentional with our movements through space rather than rushing back to a frenzied pre-pandemic normal. The methodology of collage models an accessible pathway forward—a way to imagine possibilities and futures by retooling what we already have.

 

–Lindsay Preston Zappas

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Download Press Release
Download List of Works
Installation Views
  • Proximity Install 1
  • Proximity Install 2
  • Proximity Install 4
  • Proximity Install 9 Reduced
  • Proximity Install 3
  • Proximity Install 8
  • Proximity Install 10
  • Proximity Install 12
  • Proximity Install 11
  • Proximity Install 13
  • Proximity Install 14
  • Proximity Install 15
  • Proximity Install 17
  • Proximity Install 16
  • Proximity Install 18
Works
  • February James, if magic is just a shift in perception what will you look at differently today, 2021
    February James
    if magic is just a shift in perception what will you look at differently today, 2021
    Watercolor, canvas and clothing collage on paper
    26 1/2 x 20 1/2 inches
    67.3 x 52.1 cm.
  • Justin Chance, All Time, 2018-2019
    Justin Chance
    All Time, 2018-2019
    Wet and needle felted wool, dye, pigment, silk, cotton, thread; quilted
    40 x 48 inches
    101.6 x 121.9 cm.
  • Paul Salveson, Dough Trap, 2020
    Paul Salveson
    Dough Trap, 2020
    Cast paper, plastic, air dry clay, paint, ball bearings, wood
    34 x 35 x 1¾ in. 86.4 x 88.9 x 4.5 cm
  • Jason McLean, Broken Heart on the G Line, 2014
    Jason McLean
    1971
    Broken Heart on the G Line, 2014
    Xerox, collage and tape over found photograph
    6 1/2 x 4 1/4 inches
    16.5 x 10.8 cm.
  • Jason McLean, Mickey in the Morning, 2014
    Jason McLean
    1971
    Mickey in the Morning, 2014
    Felt and paper collage on found paper
    5 3/4 x 4 1/4 inches
    14.6 x 10.8 cm.
  • Yevgeniya Baras, Untitled, 2013-2020
    Yevgeniya Baras
    Untitled, 2013-2020
    Wood, paper pulp, and oil on canvas
    20 x 16 inches
    50.8 x 40.6 cm.
  • Paul Salveson, No-Soak, 2018
    Paul Salveson
    No-Soak, 2018
    Archival inkjet print
    16⅝ x 12⅞ inches 42.2 x 32.7 cm
  • Vikky Alexander, Skylight Waterfall, 2021
    Vikky Alexander
    1959
    Skylight Waterfall, 2021
    Self adhesive Orofol #3105HT with matte laminate
    Size variable
    Edition of 3 (#1/3)
  • Jenny Rask, If I were a..., 2021
    Jenny Rask
    If I were a..., 2021
    Mixed media
    37.5 x 17 x 106 inches 95.3 x 43.2 x 269.2 cm
  • Pau Pescador, Remake (1), 2018
    Pau Pescador
    1983
    Remake (1), 2018
    Photographic collage
    18 x 12 inches
    45.7 x 30.5 cm.
  • Pau Pescador, Remake (3), 2018
    Pau Pescador
    1983
    Remake (3), 2018
    Photographic collage
    18 x 12 inches
    45.7 x 30.5 cm.
  • Lindsay Preston Zappas, Palm Weaving (Watermelon Spritz), 2021
    Lindsay Preston Zappas
    Palm Weaving (Watermelon Spritz), 2021
    Digital photograph on fabric, yarn, fabric, acrylic, paint and colored pencil on wood
    70 x 53 inches
    177.8 x 134.6 cm.
  • Chris Cran, Nature's Decor, 2012
    Chris Cran
    1949
    Nature's Decor, 2012
    Ink on paper
    30 x 39 1/2 inches
    76.2 x 100.3 cm.
    (#3/6)
  • Louis Cameron, BRLN 13, 2019
    Louis Cameron
    BRLN 13, 2019
    Paper on canvas (collage)
    21⅝ x 15¾ in. 55 x 40 cm
  • Louis Cameron, BRLN 7, 2019
    Louis Cameron
    BRLN 7, 2019
    Paper on canvas (collage)
    21⅝ x 15¾ in. 55 x 40 cm
  • Louis Cameron, BRLN 6, 2018
    Louis Cameron
    BRLN 6, 2018
    Paper on canvas (collage)
    21 3/4 x 15 3/4 inches
    55.2 x 40 cm.
  • Heather McGill, Untitled, 2020
    Heather McGill
    Untitled, 2020
    Pigment, beads, plywood on wood panel
    45 x 31 1/2 x 2 1/2 inches
    114.3 x 80 x 6.3 cm.
  • Elliott Hundley, Nocturne, 2019
    Elliott Hundley
    Nocturne, 2019
    Paper, oil, fabric, encaustic, pins, plastic and foam on panel
    29 x 35 x 4 1/2 inches
    73.7 x 88.9 x 11.4 cm.
  • Marwa Abdul-Rahman, Igneous, 2018
    Marwa Abdul-Rahman
    1974
    Igneous, 2018
    Mixed media
    73 1/2 x 17 x 19 inches
    186.7 x 43.2 x 48.3 cm.
  • Yevgeniya Baras, Untitled, 2017
    Yevgeniya Baras
    Untitled, 2017
    Oil, stones, and yarn
    24 x 18 inches 61 x 46 cm
  • Evan Whale, In My Room (Peacock Polkadot), 2020
    Evan Whale
    In My Room (Peacock Polkadot), 2020
    Carving on c-print, artists frame, UV museum acrylic
    32⅝ x 22⅝ inches 82.9 x 57.5 cm
  • Todd Gray, There Be Monsters Lurking In The House Within, 2021
    Todd Gray
    There Be Monsters Lurking In The House Within, 2021
    Four archival pigment prints with UV laminate in artist's frames
    66 1/2 x 56 1/4 x 6 1/2 inches
    168.9 x 142.9 x 16.5 cm.
  • John Zane Zappas, K I Rb I Hb I BB, 2017-2021
    John Zane Zappas
    K I Rb I Hb I BB, 2017-2021
    Wax crayon and graphite on paper
  • John Zane Zappas, Ff Y R K Qr S K, 2017-2021
    John Zane Zappas
    Ff Y R K Qr S K, 2017-2021
    Wax crayon and graphite on paper
  • Fran Siegel, Medicine Wheel, 2020
    Fran Siegel
    Medicine Wheel, 2020
    Cyanotype, scrim, embroidery, sewing, string and mounted on bar
    90 x 60 x 10 inches
    228.6 x 152.4 x 25.4 cm.
Press
  • Assembling Meanings and Materials in Proximity

    Lorraine Heitzman, Art and Cake, July 9, 2021
  • EXHIBITION REVIEW: "PROXIMITY" AT WILDING CRAN GALLERY

    Claire Ping, Musée Magazine, June 21, 2021

Related artists

  • Vikky Alexander

    Vikky Alexander

  • Fran Siegel

    Fran Siegel

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