Proximity
Marwa Abdul-Rahman, Vikky Alexander, Yevgeniya Baras, Louis Cameron, Justin Chance, Chris Cran, Todd Gray, Elliott Hundley, February James, Heather McGill, Jason McLean, Paul Pescador, Lindsay Preston Zappas, Jenny Rask, Paul Salveson, Fran Siegel, Evan Whale and John Zane Zappas
Wilding Cran Gallery is pleased to present Proximity, a group show about collage, re-contextualizing, and coming together. Co-curated by Lindsay Preston Zappas and Wilding Cran.
As we begin to move out of the pandemic, we are caught in a state of pulling our collective pieces back together, re-remembering how to operate as a society rather than as isolated individuals. In many ways, the practice of collage charts a similar terrain—within the logic of collage, one looks around to her immediate surroundings, not reinventing from scratch, but placing objects and images together with intention, creating a new and enlightened context. In this way, collage becomes an expansive term, one that celebrates a fluid and shifting ground as a means to explore new contexts and arrangements.
The artists in this show take up a wide variety of mediums—from textiles and sculpture to photography and work on paper. Some use collage in methodology more than practice; the simple abutting of two unexpected materials or the gesture of placing focused attention on objects that have been intentionally culled into proximity. Others opt for a maximal blending—pulling from their own internal lexicon of mark-making—stitching pattern, figure, and thread together into a singular plane. For many of the artists, flatness becomes a unifying strategy. By collapsing information, objects, frames, or patterns into a singular substrate, a certain merging takes place, re-situating an array of references into an altered field of vision.
Collage ultimately is a medium that creates connection from that which is already right in front of us; a poignant analogy as we begin to patchwork our communities back together. I’ve had many recent conversations about priorities and reassessing boundaries as things in our city begin to open back up. How might we move into our new reality while taking a clue from collage—being highly intentional with our movements through space rather than rushing back to a frenzied pre-pandemic normal. The methodology of collage models an accessible pathway forward—a way to imagine possibilities and futures by retooling what we already have.
–Lindsay Preston Zappas
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February Jamesif magic is just a shift in perception what will you look at differently today, 2021Watercolor, canvas and clothing collage on paper26 1/2 x 20 1/2 inches
67.3 x 52.1 cm. -
Justin ChanceAll Time, 2018-2019Wet and needle felted wool, dye, pigment, silk, cotton, thread; quilted40 x 48 inches
101.6 x 121.9 cm. -
Paul SalvesonDough Trap, 2020Cast paper, plastic, air dry clay, paint, ball bearings, wood34 x 35 x 1¾ in. 86.4 x 88.9 x 4.5 cm
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Jason McLean1971Broken Heart on the G Line, 2014Xerox, collage and tape over found photograph6 1/2 x 4 1/4 inches
16.5 x 10.8 cm. -
Jason McLean1971Mickey in the Morning, 2014Felt and paper collage on found paper5 3/4 x 4 1/4 inches
14.6 x 10.8 cm. -
Yevgeniya BarasUntitled, 2013-2020Wood, paper pulp, and oil on canvas20 x 16 inches
50.8 x 40.6 cm. -
Paul SalvesonNo-Soak, 2018Archival inkjet print16⅝ x 12⅞ inches 42.2 x 32.7 cm
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Vikky Alexander1959Skylight Waterfall, 2021Self adhesive Orofol #3105HT with matte laminateSize variableEdition of 3 (#1/3)
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Jenny RaskIf I were a..., 2021Mixed media37.5 x 17 x 106 inches 95.3 x 43.2 x 269.2 cm
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Pau Pescador1983Remake (1), 2018Photographic collage18 x 12 inches
45.7 x 30.5 cm. -
Pau Pescador1983Remake (3), 2018Photographic collage18 x 12 inches
45.7 x 30.5 cm. -
Lindsay Preston ZappasPalm Weaving (Watermelon Spritz), 2021Digital photograph on fabric, yarn, fabric, acrylic, paint and colored pencil on wood70 x 53 inches
177.8 x 134.6 cm. -
Chris Cran1949Nature's Decor, 2012Ink on paper30 x 39 1/2 inches
76.2 x 100.3 cm.(#3/6) -
Louis CameronBRLN 13, 2019Paper on canvas (collage)21⅝ x 15¾ in. 55 x 40 cm
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Louis CameronBRLN 7, 2019Paper on canvas (collage)21⅝ x 15¾ in. 55 x 40 cm
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Louis CameronBRLN 6, 2018Paper on canvas (collage)21 3/4 x 15 3/4 inches
55.2 x 40 cm. -
Heather McGillUntitled, 2020Pigment, beads, plywood on wood panel45 x 31 1/2 x 2 1/2 inches
114.3 x 80 x 6.3 cm. -
Elliott HundleyNocturne, 2019Paper, oil, fabric, encaustic, pins, plastic and foam on panel29 x 35 x 4 1/2 inches
73.7 x 88.9 x 11.4 cm. -
Marwa Abdul-Rahman1974Igneous, 2018Mixed media73 1/2 x 17 x 19 inches
186.7 x 43.2 x 48.3 cm. -
Yevgeniya BarasUntitled, 2017Oil, stones, and yarn24 x 18 inches 61 x 46 cm
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Evan WhaleIn My Room (Peacock Polkadot), 2020Carving on c-print, artists frame, UV museum acrylic32⅝ x 22⅝ inches 82.9 x 57.5 cm
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Todd GrayThere Be Monsters Lurking In The House Within, 2021Four archival pigment prints with UV laminate in artist's frames66 1/2 x 56 1/4 x 6 1/2 inches
168.9 x 142.9 x 16.5 cm. -
John Zane ZappasK I Rb I Hb I BB, 2017-2021Wax crayon and graphite on paper
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John Zane ZappasFf Y R K Qr S K, 2017-2021Wax crayon and graphite on paper
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Fran SiegelMedicine Wheel, 2020Cyanotype, scrim, embroidery, sewing, string and mounted on bar90 x 60 x 10 inches
228.6 x 152.4 x 25.4 cm.