VIKKY ALEXANDER




SELECTED SOLO and TWO PERSON EXHIBITIONS



2014
The Tempatation of St. Anthony, The Apartment, Vancouver, B.C.

Theatergarden Beastiarium, Wilding Cran Gallery, Los Angeles, CA

2011
Island, Trepanier Baer Gallery, Calgary, AB

2010
Houses of Glass, The Engine Room Gallery, Massey University, Wellington, New Zealand
Paris Showrooms, Trepanier Baer Gallery, Calgary, Alberta
Paris Showrooms, Luz Gallery, Victoria, B.C.

2008
Lost Horizons, Trepanier Baer Gallery, Calgary, Alberta

2007
Model Suites (w/ Micah Lexier), Trepanier Baer, Calgary, Alberta

2004
State Gallery, Vancouver, British Columbia
West Edmonton Mall Series, Surrey Art Gallery, Surrey, British Columbia

2003
New Works, Trepanier Baer Gallery, Calgary, Alberta

2000
Catriona Jeffries Gallery, Vancouver, British Columbia
National Gallery of Canada, Vaux-le-Vicomte Panorama, Ottawa, Ontario

1999
Contemporary Art Gallery, Vaux-le-Vicomte Panorama, Vancouver, British Columbia
MacKenzie Art Gallery, Reflecting Glass Stacks, Regina, Saskatchewan

1998
Art Gallery of Windsor, Windsor, Ontario
Trepanier Baer Gallery, Calgary, Alberta

1997
Edmonton Art Gallery, Edmonton, Alberta Catriona Jeffries Gallery, Vancouver, British Columbia

1996
A La Recherche de Temps Perdu, Catriona Jeffries Gallery, Vancouver, British Columbia
Between Dreaming and Living, Presentation House Gallery, North Vancouver, British Columbia
Crystal World, Trepanier Baer Gallery, Calgary, Alberta

1994
Domestic Setting, Vikky Alexander and Uta Barth, Los Angeles, California
Project, Vancouver, British Columbia

1993
Modern Landscapes, Trepanier Baer Gallery, Calgary, Alberta
Mercer Union, Toronto, Ontario

1992
Vikky Alexander and Ellen Brooks, Wooster Gardens, NYC and Ansel Adams Center, San Francisco, CA
Galerie Brenda Wallace, Montreal, Quebec
Lake in The Woods, Vancouver Art Gallery, Vancouver, British Columbia

1991
De Natura: Vikky Alexander and Ellen Brooks, Dorothy Goldeen Gallery, Los Angeles, CA 1990
Vikky Alexander and James Welling, Kunsthalle Bern, Bern, Switzerland

1989
Galerie Brenda Wallace, Montreal, Quebec

1988
De Lege Riumte, Brugges, Belgium (with David Cabrera)
Stride Gallery, Calgary, Alberta

1987
Ace Contemporary Exhibitions, Los Angeles, California
CASH/Newhouse Gallery, New York, New York
Julian Pretto, New York, New York

1986
CASH/Newhouse Gallery, New York, New York
Vikky Alexander and Ian Wallace, Coburg Gallery, Vancouver, British Columbia
Axe Neo 7, Centre d’Art Contemporain, Hull, Quebec

1984
CEPA, Metro Bus Show, Buffalo, New York

1983
Obsession, A&M Artworks, New York, New York
CEPA, Buffalo, New York
Obsession, Coburg Gallery, Vancouver, British Columbia

1982
Family Entertainment, A&M Artworks, New York, New York

1979
Anna Leonowens Gallery, Halifax, Nova Scotia

SELECTED GROUP EXHIBITIONS

2013
Tell It To My Heart – with Julie Ault, Museum for Gegenwartskunst, Basel, Switzerland and CultureGest, Lisbon, Portugal

2012
Builders: Recent Acquisitions of New Canadian Art, National Gallery of Canada, Ottawa, ON
Cut and Paste, Equinox Project Space, Vancouver, BC
Collector’s Choice, Winchester Modern, Victoria, BC
C.1983, Part 2, Presentation House Gallery, North Vancouver, BC
You Would, Kathleen Cullen Gallery, New York, NY
La Nuit Blanche, Toronto, ON, curated by Christina Ritchie
Untrue North, Yukon Art Centre, Whitehorse,Yukon curated by Earl Miller
Street Life: The City as Muse, MOCA. Calgary, AB

2011
The Last Frontier, Art Gallery of Nova Scotia, Halifax, NS
An Autobiography of Our Collection, Vancouver Art Gallery, BC
Vancouver Vancouver, 1965 Gallery, curated by Michael Turner, Vancouver, BC
Unreal, Vancouver Art Gallery, Vancouver, BC
Cultural, Temporal and Imagined Landscape, Art Gallery of Greater Victoria, Victoria, BC
Monomania, Trench Gallery, Vancouver, BC
Trepanier Booth at Toronto International Art Fair, Toronto, ON

2009
Heartland, Toronto International Art Fair, curated by Jeffrey Spalding, Toronto, ON

2008
The Tree: From the Sublime to the Social, Vancouver Art Gallery, Vancouver, BC
Let Me Be Your Mirror, Mackenzie Art Gallery, Regina, SK
I Have (no) Issues, Lawrence Eng Gallery, Vancouver, BC
Through the Looking Glass, Glenbow Museum, Calgary, AB
Living Room, National Gallery of Canada, Ottawa, ON
Trepanier Baer Booth @ Toronto Art Fair, Toronto, ON
SCOPE Miami, Trepanier Baer Booth, Miami, FLA

2007
Recent Acquisitions, Surrey Art Gallery, Surrey, BC

2006
75 Years of Collecting: The Road to Utopia, Vancouver Art Gallery, Vancouver, BC
Found in Pop: 6 Artists, Trepanier Baer Gallery, Calgary, AB

2005
Intertidal: Vancouver Art and Artists, MUHKA, Antwerp, Belgium
Collection Pierre Huber, Le Musee canonal des Beaux-Arts de Lausanne, Switzerland
SCOPE Art Fair, New York, NY
From New Image to New Wave: Legacy of NSCAD in the Seventies, Art Gallery of Nova Scotia, Halifax, NS
20 Years of Contemporary Art, Stride Gallery, Calgary, AB
Mirror, Mirror, Canadian Glass and Clay Gallery, Waterloo, ON

2004
State Gallery, Vancouver, BC
Toronto Art Fair, Toronto, ON
Vancouver Art Gallery Benefit Auction, Vancouver, BC
Contemporary Art Gallery Benefit Auction, Vancouver, BC
Presentation House Art Gallery Benefit Auction, Vancouver, BC

2003
Toronto International Art Fair (Trepanier Baer), Toronto, ON
Drawing on Architecture, Atelier Gallery, Vancouver, BC, curated by Patrik Andersson

2002
Toronto International Art Fair, (Trepanier Baer). Toronto, ON
Supporting Roles: Photo-based work of the 1990's, Mackenzie Art Gallery, Regina, SK
This Place, Vancouver Art Gallery, Vancouver, BC

2001
Medicine Hat Museum and Art Gallery, Photo Roman, Medicine Hat, AB
Group Exhibition, Trepanier Baer, Calgary, AB

2000
London Regional Art Museum, The Single Tree, London, ON
Vancouver Art Gallery, Vancouver, BC

1999
Vancouver Art Gallery, Recollect, Vancouver, BC

1998
Trepanier Baer Gallery, Calgary, AB

1997
Pittsburgh Center for Contemporary Art, ‘Environments’, curated by Robert Raczka, Pittsburgh, Pennsylvania

1996
Trepanier Baer Gallery, Calgary, AB
Kamloops Art Gallery, ‘The Culture of Nature’ curated by Annette Hurtig, Kamloops, BC
Kenderdine Art Gallery, ‘Modus Operandi’, Saskatoon, SK
Yokohama Civic Art Gallery, ‘Vancouver Perspective’ curated by Greg Bellerby, Yokohama, Japan and Taipae, Korea
Seattle Art Musuem ‘Documents Northwest: From the Floating World to the Street’ curated by Rod Slemmons, Seattle, Washington

1995
Hamilton Art Gallery, Hamilton, ON
Surrey Art Gallery, ‘Held in Trust’, Surrey, BC
Phoenix Art Museum, ‘It’s Only Rock and Roll’, Phoenix, Arizona
Trepanier Baer Gallery, Calgary, AB

1994
Trepanier Baer Gallery, Calgary, AB

1993
International Center of Photography, ‘Commodity Image’ curated by Willis Hartshorn, New York, New York
Expo ’93, ‘Reflecting Paradise’, curated by Jeffrey Spalding, Taejon, Korea Charles H.Scott Gallery, ‘Beneath the Paving Stones’ curated by Robert Kleyn, Vancouver, B.C.
Artropolis, Vancouver, BC
Surrey Art Gallery, ‘Arcadia/Utopia’, Surrey, BC

1992
Rotterdam Photo Biennale 3, ‘Wasteland’, Rotterdam, Netherlands
Annina Nosei, New York, NY
The New Musuem, ‘The Art Mall: A Social Space’, New York, NY

1991
Barbican Art Gallery, ‘Un-Natural Traces’, curated by Carol Brown and Bruce Ferguson, London, England
Cleveland Center for Contemporary Art, ‘Cruciformed’, curated by David Rubin, Cleveland, Ohio
Art Gallery of Hamilton, ‘Practicing Beauty’ curated by Ihor Holubizky, Hamilton, ON
London Regional Art Gallery,’London Life Young Contemporaries’ curated by Peter Day, London, ON
The Hyde Collection, ‘Just What is It That Makes Today’s Homes so Different, So Appealing?’ curated by Dan Cameron, Glenn’s Falls, New York

1990
Louver Gallery, New York, NY
Marta Cervera Gallery, New York, NY
Berland Hall Gallery, New York, NY
Vrej Baghoomian Gallery, ‘Grids’, New York, NY
Wolff Gallery, ‘Up The Garden Path’, New York, NY
Whitney Museum of American Art , ‘Against the Grain’ curated by Roni Feinstein, Phillip Morris branch, NY and Stamford, CT
Vancouver Art Gallery and Winnipeg Art Gallery, ‘PastFutureTense’ curated by Bruce Ferguson and Gary Dufour, Winnipeg, MN and Vancover, BC
Whitney Museum of American Art (Nassau St.), ‘The Experience of Landscape’ curated by Karl Willers, New York, NY
Mendel Art Gallery, ‘Towards a History of the Found Object’, curated by Bruce Grenville, Saskatoon, SK
Cleveland Center for Contemporary Art, ‘In the Beginning’, curated by Bill Radawec, Cleveland, Ohio

1989
Linda Farris Gallery, Seattle, Washington
‘Hybrid Neutral’, travelling show curated by Collins & Milazzo
Hamilton College,’Abstraction in Contemporary Photography’, curated by Jimmy de Sana, Clinton, New York and Virginia Commonwealth University

1988
Galerie Pierre Huber, Geneva, Switzerland
DIA Art Foundation, ‘Cultural Participation’ curated by Group Material, New York, NY
Annina Nosei Gallery, ‘Mutations’, New York, NY
Harvard University, ‘Fabrications’, curated by Anne Hoy, Cambridge, Massachusetts
Scott Hanson Gallery, ‘ Media Post Media’, curated by Collins & Milazzo, New York, NY
Ace Contemporary Exhibitions, Los Angeles, California
Art Gallery of Windsor, Windsor, ON
Blum Art Institute, Bard College, ‘Sequence(Con)Sequence’, curated by Julia Ballerini, Annandale-on-Hudson, New York

1987
Hillwood Art Gallery, CW Post, ‘Perverted by Language’, curated by Robert Nickas, Long Island University at Brookville, New York
49th Parallel, ‘Material Fictions’, curated by France Morin, New York, NY
Robin Lockett Gallery, Chicago, Illinois
‘New Territories in Art: Europe-America’, curated by Achille Bonito Oliva and Annina Nosei, Rome, Italy
Galerie Pierre Huber, ‘The Art of the Real’, Geneva, Switzerland and Lyon, France
Documenta 8, ‘The Castle’, (an installation by Group Material), Kassel, Germany
Annina Nosei Gallery, ‘Spatial F/X’, New York, NY
Nexus, ‘Art Since 1984’, curated by Virginia Wright, Atlanta, Georgia

1986
Loughelton Gallery, New York, NY
CASH/Newhouse Gallery, New York, NY
Cleveland Center for Contemporary Art, ‘New New York’, curated by Bill Olander, Cleveland, Ohio
The Kitchen, ‘Art and Leisure’, curated by Group Material, New York, NY

1985
Daniel Newburg Gallery, ‘Persona non Grata’, New York, NY
Castelli Uptown, ‘A Summer Selection’, curated by Marvin Heiferman, New York, NY
CASH/Newhouse Gallery, New York, NY 303 Gallelry, New York, NY
White Columns, ‘Seduction: Working Photographs’, curated by Marvin Heiferman, New York, NY
Postmasters, ‘Photo Object’, New York, NY
Axe Neo-7 Centre d’art contemporain, ‘Polaroid Deux’, Hull, QC

1984
Mount Saint Vincent University Art Gallery, ‘Appearing’, Halifax, NS
White Columns, ‘The New Capital’, curated by Collins & Milazzo, New York, NY
New Math Gallery, ‘Rediscovering Romanticism in New York in 1984’, New York, NY

1983
Gallery Nature Morte, Benefit for Wedge Magazine, New York, NY
Light Works, ‘The Stolen Image and its Uses’, curated by Abigail Solomon-Godeau, Syracuse, NY
White Columns, ‘Fashion Fictions’, New York, NY
Simon Fraser University, ‘Artificial Miracles’, Burnaby, BC

1982
Bard College, Annandale-on-Hudson, ‘Resource Material’, curated by Stephen Frailey, New York
A&M Artworks, ‘Trouble in Paradise’, New York, NY
Johnson State College, ‘Worlds Apart’, Johnson, Vermont1981
A&M Artworks, ‘Photoworks’, New York, NY

CATALOGUES


The Last Frontier, Art Gallery of Nova Scotia, Halifax, NS, 2011
Houses of Glass, Massey University, Wellington, New Zealand, Deidra Sullivan, 2010
Theatroclasm catalogue for ‘Let Me Be Your Mirror’, Mackenzie Art Gallery, Regina, SK, 2009
The Tree: From the Sublime to the Social, Vancouver Art Gallery, Vancouver, B.C. 2008
If Walls Had Ears – International Art 1984-2004, De Appel, Amsterdam, Netherlands, Edna Van Duyn, editor 2006
Intertidal: Vancouver Art and Artists, MuHKA, Antwerp, Belgium and Morris and Helen Belkin Gallery, Vancouver, Dieter Roelstraete and Scott Watson ed. 2005
Ritual and Religion, Robert B. Menschel Photography Gallery, Syracuse University, NY., essay by Darina Miller Parmenter, 2002
Photo Roman, Medicine Hat Museum and Art Gallery, Medicine Hat, AB, essay by Joanne Marion, 2002
The Single Tree, London Regional Art Museum, London, Ontario, 2000
Vikky Alexander: Vaux-le-Vicomte Panorama, Contemporary Art Gallery, Vancouver, BC, essay by Ian Wallace, 1999
Vancouver Perspectives, Vancouver Art Gallery, Yokohama, Japan, Greg Bellerby ed., 1996
Beneath the Paving Stones, Charles H. Scott Gallery, Vancouver, British Columbia, curated by Robert Kleyn, 1994
Mercer Union, Toronto, Ontario, Ihor Holubizky, 1993
Reflecting Paradise Taejon, Korea, 1993 Jeffrey Spalding ed., 1993
Contact Sheet #74, Light Work, Syracuse, New York, 1992 , Jeffrey Hoone
Experience of Landscape, Whitney Museum Downtown, New York, New York, Karl Willers, 1992
Wasteland, Fotographie Biennale Rotterdam, Rotterdam, Netherlands, Bas Vroege, 1992
Practising Beauty, Art Gallery of Hamilton, Hamilton, Ontario, April, Ihor Holubiszky, 1991
Cruciformed, Cleveland Center for Contemporary Art, Cleveland, Ohio, David Rubin, 1991
Un-natural Traces, Barbican Art Gallery, London, England, Carol Brown and Bruce Ferguson, 1991
London Life Young Contemporaries, London Regional Art Gallery, London, England, Peter Day, 1990
Vikky Alexander: Glass (Not) Sculpture, Bruce Ferguson, Kunsthalle Bern, Switzerland, May 1990
Between Traditions & Oblivions: PastFutureTense, Vancouver Art Gallery, Vancouver, British Columbia, curated by Gary Dufour, 1990
PastFutureTense, Winnipeg Art Gallery, Winnipeg, Manitoba, September 1990, Bruce Ferguson
With the Grain, March 1990 Roni Feinstein
Towards a History of the Found Object, Mendel Art Gallery, Saskatoon, Saskatchewan, January, 1990
Just what is it that makes today's homes so different, so appealing? Hyde Collection, Glenn's Falls, New York, Dan Cameron, 1991
Hybrid Neutral, ICI, New York, New York, essay by Collins and Milazzo, 1989
Media Post Media, Scott Hanson Gallery, New York, New York, Collins and Milazzo, 1988
Abstraction in Contemporary Photography, Emerson Gallery, New York, New York, Andy Grundberg and Jerry Saltz, 1988
Stride Gallery, Calgary, Alberta, Brian Wallis, 1988
Experience of Landscape, Whitney Museum Downtown, New York, New York, Karl Willers, 1988
Sequence (con) Sequence, Bard College, Annandale, New York, Julia Ballerini, 1988
Reconnaissance, Walter Phillips Gallery, Banff, Alberta, introduction by Daina Agaitus, 1987
Perverted by Language, Hillwood Art Gallery, LIU, New York, New York, Robert Nickas, 1987
Material Fictions, 49th Parallel, New York, New York, essay by Ron Jones, 1987
The Art of the Real, Galerie Pierre Huber, Geneva, Switzerland, Robert Nickas, 1987
New Territories, Oliva, Rome, Italy, Bonito Achille, 1987
Arts and Leisure, The Kitchen Group Material, New York, New York, 1986
Rear Window, The New Museum of Contemporary Art, 1985
Appearing, Mt. St. Vincent University, Halifax, Canada, Bruce Ferguson, 1983

BIBLIOGRAPHY

Published Writing on Vikky Alexander

2012
“Photography The Whole Story”, Thames and Hudson
Laurence, Robin. “Cut and Paste”, Georgia Straight online, June 5, 2012

2010
“Show & Tell: A Chronicle of Group Material”, edited by Julie Ault, Four Corners Books
Tousley, Nancy. “Shiny reflections on a capitalist society”, Calgary Herald, May 6, 2010

2009
“Picture perfect finish to construction of Intracorp’s Camera”, Vancouver Sun, April 25, 2009
“Sonic Youth: Sensational Fix”, edited by Roland Groenenboom, Walther Konig Publishers

2008
Anderson, Jack. “Messages reflected in work of artists”, Regina Learder Post, April 3 2008

2007
Tousley, Nancy. “Snakes in the Garden”, Calgary Herald, March 4, 2007

2006
Wiarda, Andrea. “Intertidal: Vancouver Art and Artists”, Flash Art, March/April 2006
Burnham, Clint. “Vancouver artists on display in Belgium”, Vancouver Sun, Feb.25, 2006
R.M.Vaughan. “Antwerp Diary”, Canadian Art, Summer 2006
Pemberton, Kim. “We Spread out to enjoy a Millionaire’s Playthings”, Vancouver Sun, Feb.11

2005
O’Brian, Amy. “Vancouver artists make waves around the world”, Vancouver Sun, Dec.17 L9

2004
Laurence, Robin. “Alexander Alludes to Ideal”, Georgia Strait, Nov.25 – Dec.2, 2004
Dault, Julie. “Nova Scotia’s Gallery Gives and Receives”, National Post, Dec.16, 2004

2003
Tumlir, Jan. “James Welling Talks to Jan Tumlir”, Artforum, April 2003
Tousley, Nancy. "Images of Desire", Calgary Herald, April 19 2003, pES

2000
Laurence, Robin. “New Views of Rooms with a View,” Georgia Straight, Nov. 9 2000, p. 68
O’Brian, Melanie. “Vikky Alexander,” Catriona Jeffries Gallery, Vancouver, 2000
Scott, Michael. “Room full of dreams,” Vancouver Sun, October 28 2000, p. D2

1999
Laurence, Robin. "The advantage of being Vikky", Canadian Art, Spring 1999, pp. 62-65
Long, Timothy. "Recent Acquisitions: Vikky Alexander", Vista, March/April/May 1999
Scott, Michael. "Garden of distortions", Vancouver Sun, p. B8, February 8, 1999
Wallace, Ian. "Vikky Alexander: The Mirage of the Sublime", Vikky Alexander: Vaux-le-Vicomte Panorama, pp.19-28, Contemporary Art Gallery, Vancouver, BC, 1999

1998
Mallon, Matthew. "All Girls School”, Western Living, Winter 1998, pp. 14-17, 30, Vancouver
Pakasaar, Helga. "Vikky Alexander", AGW Quarterly, Winter 1998-99
Tousley, Nancy. "Viewer Offered Artificial World", Calgary Herald, Sat. Febuary 28

1997
Bellerby, Greg. "Forword", Vancouver Perspectives, catalogue, p. 6
Laurence, Robin. "Show's contributors draw the line on graphic question", Vancouver Sun
Lin, Mun-Lee. "Forword", Vancouver Perspectives, catalogue, p. 4
Raczka, Robert. "environments", exhibition companion, Pittsburgh Centre for the Arts
"Where do we live..." Canadian Art, Spring 1997, p.25

1996
Hurtig, Annette, "The Culture of Nature", Art and its Practices (An Investigation of Contemporary Art), Kamloops Art Gallery, Kamloops, British Columbia, September 27 - December 1, 1996
Laurence, Robin, "Retrospective slinks between real and dreamed worlds", Georgia Straight, Dec. 5-12

Laurence, Robin. "Postcards and Paris Scenes Manipulate Percieved Realities", Georgia Straight, March 21 - 28
Rimmer, Cate. "Reviews: Crystal Clear", Fast Forward, Calgary Herald
Slemmons, Rod. "From the Floating World to the Street", Documents Northwest: The PONCHO Series, exhibition companion, Seattle Art Museum
Tousley, Nancy. "Reviews: Photo Exhibition has a Las Vegas Shimmer" Calgary Herald, February 1996

1995
Rubin, David, "It's Only Rock and Roll", Phoenix Art Museum, Phoenix, Arizona

1994
Feinstein, Roni, "Report from Toronto", Art In America, July 1994

1993
Hagen, Charles. "Commodity Image", New York Times, May 1993
Hartshorn, Willis. "Commodity Image", exhibition companion, International Centre of Photography Midtown, New York
Holubizky, Igor. "Vikky Alexander", exhibition companion, Mercer Union, Toronto
Kleyn, Robert. "Beneath the Paving Stones", Beneath the Paving Stones, catalogue essay, pp. 53-64
Laurence, Robin. "Modern Conventions Defied", Vancouver Sun, Saturday Review, July 31, 1993
Pauls, Naomi, "Profile" Georgia Straight, August 1993
Shaw, Nancy and Lisa Robertson. "A Sunday Drive", Beneath the Paving Stones, catalogue essay, pp. 5-16
Tousely, Nancy. "Vikky Alexander: Modern Landscapes", Canadian Art, Fall 1993
Tousely, Nancy, "Spectacle of consumerism revealed in Modern Landscapes", Calgary Herald, March
Watson, Petra. "Reviews" Border Crossings, Summer 1993

1992
Druckrey, Tim. "from Wasteland to toxicity: rediscovering nature as information", Wasteland: Landscape from now on, pp. 25-31- Dufour, Gary, "An Always Absent Original", Vancouver Art Gallery, May 1992
Gierstberg, Frits and Bas Vroege, "Introduction", Wasteland: Landscape from now on, pp. 3-6 1992
Graaf, Jan. "empty sites", Wasteland: Landscape from now on, pp. 17-22 Hagen, Charles. "Ellen Brooks & Vikky Alexander Camera Cut-ups", Interview, April 1992
Hoone, Jeffrey. "Vikky Alexander", Light Work grants catalogue, Syracuse, New York
Jenkins, Steven. "Secondhand Land", Artweek, April 23, 1992
Laurence, Robin, "Arcadia/Utopia", Vancouver Sun, July 31, 1992
Lemaire, Ton. "between wilderness and wasteland", Wasteland: Landscape from now on, pp, 9-14
Read, Michael, Friends of Photography Newsletter, March 1992
Tolnick, Judith. "Frame Up! An Introduction", Frame Up! exhibition companion, Main Gallery, Fine Arts Complex, University of Rhode Island
Tousely, Nancy. "Fast Forward" Canadian Art, Volume 9, Number 1, Spring 1992

1991
Ferguson, Bruce. "Un-Natural Acts and Tongue Ties", Un-Natural Traces: Contemporary Art from Canada, pp.11-15, Barbican Art Gallery, London
Solomon-Godeau, Abigail, Photography at the Dock, Minneapolis: Minnesota Press, 1991

1990
Aquin, Stephane, "faux et usage de Faux", Voir, April 30, 1990
Barrett, Terry. Criticizing Photographs, Mayfield Press, 1990
Dufor, Gary. "Between Traditions and Oblivions", Pastfuturetense catalogue essay, pp. 24-30, illustration p. 31
Feinstein, Roni. "With the Grain", With the Grain catalogue essay, Whitney Museum of American Art @ Phillip Morris
Ferguson, Bruce. "Pastfuturetense: or What is a Meta For?", Pastfuturetense catalogue essay, pp. 6-13, Vancouver Art Gallery, Winnipeg Art Gallery
Ferguson, Bruce. "Vikky Alexander: Glass (Not) Sculpture", exhibition companion, Kunsthalle Bern, 1990

1989
Duncan, Ann. "Victoria Artist's wry urban images a hit in New York", The Gazette, Montreal, Dec. 23
"LMCC Presents Park Spruces Up", Lower Manhattan Cultural Council, 1989
Willers, Karl Emil. "The Experience of Landscape: three decades of sculpture", exhibition companion, Whitney Museum of American Art Downtown, New York

1988
Hoy, Anne, Fabrications, Abbeville Press, 1988
"International Style", New Observations, Issue #55, 1988
Salvioni, Daniela, Reviews, Flash Art, May/June, 1988
Schwendenwein, Jude, Reviews Artscribe, June, 1988
Tousley, Nancy, "Art Gallery is re-presented as a designer showroom", Calgary Herald, May 12, 1988
Tousely, Nancy, "Profiles", Canadian Art, September, 1988
Wallis, Brian. "Vikky Alexander", catalogue essay, Stride Gallery, Calgary, Alberta

1987
Augaitus, Daina, "Reconnaissance", Banff, Walter Phillips Gallery
Braff, Phyllis. "Language Becomes the Medium of the Message", New York Times, March 1
Cameron, Dan. "Post-Feminism", Flash Art, Feb/March 1987
Campitelli, Maria. "Review" Juliet Art Magazine, Oct/Nov 1987
Ess, Barbara and Glenn Branca, Editors, Thought Objects, JAA #7, 1987
Fox, Catherine. "'Modern' twists has little momentum", Jan. 18
Handy, Ellen. "Reviews", Arts magazine, May 1987
Harper, Glenn, "Review", Art Paper, February, 1987
Jones, Ronald. "Cool Canadians", Material Fictions exhibition companion, 49th Parallel, New York
Levin, Kim. "Reviews", Village Voice, February, 1987
Linker, Kate. "Reviews" Artforum, Summer 1987
Lipson, Karin. "A few words on Art", Newsday, Feb. 20
Stretch, Bonnie Barrett. "Contemporary Photography", Art & Auction, May 1987

1986
Cameron, Dan. "Report from the Front", p. 91
Cohrs, Timothy. "Reviews", Arts Magazine, December 1986
Collins and Milazzo, "Tropical Codes" Kunstforum, March-May 1986
Decter, Joshua, "Reviews" Arts Magazine. March 1986
Hagen, Charles. "Review" Artforum. April 1986
Handy, Ellen. "Reviews" Arts Magazine, March 1986
Handy, Ellen. "Reviews", Arts Magazine. September 1986
Norman, Sally. "New New Art", Dialogue, June/July 1986
Robinson, Walter. "Reviews", C Magazine. #10, Summer 1986
Serafin, Bruce. "Reviews", C Magazine #10, Summer 1986
"New Faces", American Photographer, Feb. 1986

1985
Davis, Douglas. "Seeing isn't Believing", Newsweek, June 3, 1985
Indiana, Gary. "Voice Pick", Village Voice, June 11, 1985
Linker, Kate. "Review" Artforum. March 1985
Robinson, Walter, "Reviews", Art In America, April 1985
Wallis, Brian, "News from Nowhere", New Museum of Contemporary Art statement, September 1985

1984
CEPA Newsletter, February 1984
Solomon-Godeau, Abigail, "Winning the Game When the Rules Have Been Changed: Art Photography and Postmodernism", New Mexico Studies in the Fine Arts 7 (1983): 5-13. Reprinted in Screen Vol 25, No. 6, Nov/Dec

1983
Cone, Michele, "Lettre de New York", pp. 12-13, (French)
CEPA Newsletter, September 1983
Ferguson, Bruce. "Appearing", catalogue essay, November/December 1983
Lichtenstein, Therese, "Trouble in Paradise", Arts Magazine 57, February 1983, p 33
Lichtenstein, Therese, Reviews, Arts Magazine March 1983

1982
Grundberg, Andy, "In Today's Photography, Imitation isn't Always Flattery", The New York Times, Sunday, November 24, 1982, pp. 31, 39
Solomon-Godeau, Abigail. "Playing in the Fields of the Image" AFTERIMAGE, 10, no. 1-2 Summer 1982

1981
Graham, Dan. "Signs" Artforum 19, No. 8, April 1981 pp. 38-43

PUBLISHED WRITING AND ARTISTS’ PROJECTS

2010
Sonic Youth: Sensational Fix, Edited by Roland Groenenboom.

2009
Grotto Star, artist’s book, 25 pages, Flask Publications

1993
Absolut Vodka Benefit Ad, American Photographer, May 1993

1987
"Vertical Dreams", C Magazine, No. 12, 1987

1984
"Canada/New York," Review, Vanguard, Summer 1984, p. 36

COLLECTIONS


Air Canada
Art Gallery of Greater Nova Scotia, Halifax, Nova Scotia
British Gas Corp., London, England
Canada Council Art Bank, Ottawa, Ontario
Capital Group, Los Angeles, CA
Concordia University Collection, Montreal, Quebec
Deste Foundation, Athens, Greece
Edmonton Art Gallery, Edmonton, Alberta
Goldman Sachs Ltd., Toronto, Ontario and NY, New York
Glenbow Museum, Calgary, Alberta
Hammer Museum, UCLA, Los Angeles, California
Household Finance Corp., Toronto, Ontario
International Centre for Photography, New York, New York
Kenderdine Art Gallery, University of Saskatoon, Saskatoon, Saskatchewan
Light Work Collection, Syracuse University, Syracuse, New York
London Life Insurance, London, Ontario
Long Group, Toronto, Ontario
MacKenzie Art Gallery, Regina, Saskatchewan
Microsoft Corporation, Redmond, Washington
Morris and Helen Belkin Art Gallery, UBC, Vancouver, Britsh Columbia
Museum of Contemporary Art, Los Angeles, California
National Gallery of Canada, Ottawa, Ontario
New School for Social Research, New York, New York
Nickel Arts Museum, Calgary, Alberta
Osler Hoskins, Toronto, Ontario
Pepsi Co. Canada Ltd., Montreal, Quebec
Polaroid Corporation, Rochester, New York
Progressive Corporation, Ohio
Prudential Insurance Co., Newark, New Jersey
Royal Bank of Canada, Toronto, Ontario
Smith College Art Museum, Northhampton, MA
Surrey Art Gallery, Surrey, British Columbia
TD Bank, Victoria, B.C
University of Lethbridge Art Gallery, Lethbridge, Alberta
Vancouver Art Gallery, Vancouver, British Columbia
Willis Corroon Corp.
Winnipeg Art Gallery, Winnipeg, Manitoba
Various Private collections in Canada, Europe, and the United States

AWARDS AND GRANTS

2009
La Cite Internationale Des Arts, Paris, France, 2 month studio residency

2004
Canada Council Senior Arts Grant

1995
Canada Council Paris Studio Residency, Paris, France
British Columbia Cultural Award in Visual Arts
Artist-in-Residence program, LightWorks, Syracuse, February
Canada Council Visual Arts Grant, Type B
Ontario Ministry of Culture and Communication "Arts Abroad"
London Life "Young Contemporaries" Purchase Award
Canada Council Visual Arts Grant, Type B
Canada Council Visual Arts Grant, Type B
Canada Council Projects Grant
Canada Council Visual Arts Grant, Type B
Canada Council Visual Arts Grant, Type B

1982
Ontario Arts Council, Photography Grant, Type B

COMMISSIONS

2009
‘Camera’ , 1675 W. 7th St., Vancouver, B.C. For Intracorp. Development.
48x456” lobby mural (includes one exterior panel). Photographic images on back of tempered glass. Includes one mirrored panel on back return wall. 5 panels altogether.

1989
Petrosino Park Project, New York, NY